The GS-500 guitar and GR-500 synth engine were designed as the world's first true guitar synthesizer. More astonishing than its original release date of 1977 is the fact that this early guitar synth predates MIDI, functioning instead using an implementation of the CV and GATE signals common to modular synthesis. Another incredible feature was the built-in infinite sustainer system, utilizing grounded frets and a customized humbucker for incredible sustained notes and chords across all 6 strings.

Percussion Factory was designed to be a modern all-in-one solution for creative percussion sounds, sequences, and performance equipped with an advanced engine offering intelligent preset generation, real-time sequence modifiers, morphable groove, a creative topology outfitted for sound design, over 1,000 percussion sounds, 4,000+ sequences capturing traditional music styles from around the world, native user sample support, and much more.

Synth Anthology 4 delivers a dreamlike collection of 200 hardware synths, professionally

UVI Augmented Orchestra pushes deep into the creative world of hybrid instrument design, carving out new realms of twisted symphonic technique and trodding with breathtaking soundscapes. With an exclusive library of new material, showcasing over 400 expertly played and immaculately designed instrument layers and hundreds of professionally hand-crafted presets to explore, Augmented Orchestra is an expansive sonic playground ready to inspire with unique and imaginative sounds.

The Ultimate Avant-Garde Piano.
Explore the sound of a C7 grand piano like you've never heard before and create incredible sonic motifs, from the fragile and emotional to the absolutely terrifying, with full control over 45 preparations recorded at the IRCAM Institute in Paris.

Hybrid 6000 delivers a surprisingly impressive palette of sounds made possible by a hidden gem from 1987, the HT-6000, a multitimbral 8-voice polyphonic analog synthesizer with 4 DCOs and discrete VCF, DCAs per-voice, and a wonderful analog chorus. While the DCOs shared waveforms, they could each utilize discrete tunings, velocity curves and DCA envelope settings allowing the creation of complex, moving timbres reminiscent of much more expensive analog synths of the time.