Art for All The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany
Beth Irwin Lewis, "Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany"
English | ISBN: 0691102643 | 2003 | 448 pages | PDF | 44 MB
This book tells the story of Germany's rich, flourishing, and diversified world of art in the last decades of the nineteenth century-a world that has until recently been eclipsed by the events of the twentieth century. Basing her narrative on a close reading of contemporary periodicals, and lavishly complementing it with cartoons and other illustrations from these publications, Beth Irwin Lewis provides the first systematic, comprehensive study of that German art world. She focuses on how critics and the public responded to new forms of painting that emerged in the 1880s, when the explosive growth of art exhibitions supported by local governments across a recently united Germany was accompanied by skyrocketing attendance of a new mass public.